December 2011
Transgender Melancholia in Portuguese “To Die Like... →
Portuguese director João Pedro Rodrigues has carved out a niche in contemporary queer cinema over the past ten years with a trio of confrontational, subversive features. After completing “The Phantom” in 2000, Rodrigues continued his rise with the Cannes Directors Fortnight entry “Two Drifters” in 2005, and reached the pinnacle of his still-young career with 2009’s “To Die Like a Man.”
Although...
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